Thursday, June 14, 2012
ARCH 1201 Studio Submission 3 - Week 1
For this project we were asked to design a double house in relation to a carefully constructed landscape or garden. The building was to be lived in by two people. One being an art collector who runs a small gallery for contemporary art, the other an artist in residence. The challenge is to understand how the architectural relationships bear on the lived experience between the people sharing the building in multiple ways. We are to use the knowledge gathered in project one and two where we studied Rem Koolhaas Maison รก Bordeaux as a starting point.
For this first week, we are only given a simple plan and a brief run-through of the area around the site which sits on Victoria St in Potts Point, Sydney. What is fascinating with this site is that it sits just above a large cut in the landscape. Just below is a long cliff face that stretches in a north/south direction and actively divides Woolloomooloo with Kings Cross. This design plays with the idea of the landscape dropping down. The building is also divided up in to two and separated by a common meeting place. The art gallery is placed right up on Victoria Street to allow easy access. It is also constructed in such a way that the apartment above appears to be floating on top of the gallery’s glass construction. The lower part of the building has been set into the ground which creates a contrast to the upper part which appears to be floating. One problem that came up was the arrangement of the glazed areas which only let sun in in an east/westerly direction.
Friday, April 27, 2012
ARCH 1201 Studio Submission 2 - Final Model Images
Materiality - Solid/Void
The choice of materiality governs the way the entire house is perceived. I have chosen to focus in the ground floor, where the majority of walls are made up by glass panels. This feature gives this floor an open and airy feel. To add to this feel, the structural elements are separated from the floor level and hidden close to the ceiling with exception of three columns, leaving only a void covered in glass. The third and largest structural column connecting the children’s two floors are given a polished steel finish, creating an optical illusion that the column is not there. This feature and the choice of giving the first floor a very heavy feel, creates an interesting situation where the two different floors are juxtaposed and the first floor to appears to be hovering above the ground floor.To control the void created by this situation, Koolhaas implemented a system of curtains that run, both on the outside and inside of the glass panels. The exterior curtain is of a thick and heavy material and given a gold finish. When in place, this curtain effectively creates a barrier much like the palisade walls of the medieval times, and transforms the open glass void into s solid.
Window Detail - Garden View
Windows are
designed and aligned so that the viewer can stand or sit at key spaces such as
the as the work desk, top of staircase or bathroom and have multiple views at
the same time. The alignment of these windows helps subconsciously guide the
inhabitants through the different compartments by allure of selected views to
the outside. The cone-shaped windows are designed to work vertically,
accommodating to the different heights of the inhabitants with the wife being the
tallest, the kids the shortest and the husband in wheelchair somewhere in
between. By having a larger interior window, the angle created towards the
exterior windows allows for a wilder field of view from the interior.
Psychological Relationships - Compartmentalization
"Compartmentalization is an unconscious psychological defense used to
avoid cognitive dissonance, or the mental discomfort and anxiety caused
by a person having conflicting values, cognitions, emotions, beliefs,
etc. within themselves. Compartmentalization allows these conflicting
ideas to co-exist by inhibiting direct or explicit acknowledgement and
interaction between separate compartmentalized self states."
Like the psychological diagnosis, the house is a vessel containing multiple forms of people with different values, activities and patterns of movement. The house is therefore designed with one thing in mind, control. The husband in wheelchair controls
the different compartments by successively unlocking and locking them by raising
and lowering his platform which is distinguished with a gold color in the model,
symbolizing its dominant position over the children’s staircase represented in a
silvery color. The function of the house is heavily dependent by him participating
in the activities. Without him, key spaces as the bookshelf and wine cellar cannot
be accessed. The house is not only divided
up into horizontal, but also vertical compartments. The children are given two
floors to themselves separated by a void where the polished steel column housing
the staircase connecting the two floors is housed. Like the rest of the hose, the void takes
inspiration from a medieval castle. The void acts like a moat, protecting the
children from the possible threat of intruders coming from below.
Thursday, April 26, 2012
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